Wednesday, 10 December 2014

Utopia Script

Utopia Script –
Films opens with a black screen, sounds of seagulls and waves in the background.
Black screen continues for a moment so the audience can hear the words ‘Wake up’.
‘Wake up’ is the sound bridge to connect to the next shot, a television with the words centred on the screen.
Shot of the character getting up and looking at the screen
‘Utopia’ Title Screen
Characters hands against duvet, with the words ‘ready yourself’ over the image
Character rinses hands in sink
Character washes hair
Shot from outside through the frosted glass onto the character
Shot of the soapy water, when the word ‘Nutrition’ comes up onto the screen, with the voicing of the word ‘Nutrition’.
Shot from behind the character as they watch the television
A shot of the character eating cereal
Character stirs coffee
Character closes eyes
Shot of character in field for a moment
On television the words ‘Enjoy music’, with the words ‘Enjoy music’ voiced aloud
Shot of men on screen playing instruments, classical music now playing
The character lies down in bed
Characters eyes close
Character lies against grass looking above camera
Character sits up
Characters feet are in water
Character spins round and is in a forest
Shot of the trees
Character looks down, then forwards
Girl stands facing away from the main character
Character wakes up

Credits

Tuesday, 9 December 2014

Nineteen Eighty-Four 9 Frame Analysis (Kieran Owens) (Research into similar products)

Nineteen Eighty-Four (Movie, 1984) 9 frame analysis.
Kieran Owens



Nineteen Eighty-Four is a film adaptation of a book of the same name that was written in 1954 by George Orwell, much like my main task, the movie is a political fiction and dystopia future movie with a very similar premise, that a totalitarian government has gotten into power and has complete control over everybody's life.




1
The first image is the logo of the movies production company. The trademark lions roar and the very familiar logo. shows us the production company, which is Metro-Goldwyn-Mayer (MGM) – Back in 1984 when this movie was released, MGM was considered one of the best film companies in all of the US, though it's influence is not nearly as considerable on today’s cinema as it was back then, it is still a widely recognized icon.



2
The second frame is simply white text on a black background, the font used for the text looks almost like it's come from a typewriter but it's the very contrasting colors that draw my eyes straight to the text. “ Who controls the past controls the future. “ is what it says, which is referring to the act of changing historical text to suit a political agenda (in this movies case at least, due to the totalitarian government that is ruling.)
 


3
The third frame is the second half of the quote, “ He who controls the present, controls the past “ - this text lets me know that the Government is able to change historical texts like the previous quote suggested, as they do in-fact control the present due to their totalitarian leadership.
 


4


The fourth frame is a giant TV screen, on either side of the screen is the symbol for the government that is ruling over them, it is large, imposing and due to the lack of color in the shot, quickly catches the eye due to it's harsh red and the lights that leave it illuminated. There is also a huge crowd of people looking on at the large screen before them and not much else.



5
The fifth frame is a continuation of the fourth, as the shot is held for a short while, it gives us more time to take in the scenery, to see that they appear to be in a rather run down factory, suggesting that they're being forced to watch this at work, and the crowd are all in overalls, further enforcing the point.

 

6
The sixth frame is more focused on the television, as there is actually something on it, the shot is in sepia tone to give a gritty, old feel to the movie. Over the clip is a calm voice speaking to the crowd, I feel that this is meant to be obvious propaganda to keep the crowd with the government, to keep them in check.

 
7

The seventh frame focuses much more on the crowd, letting us see what people look like in this dystopia, it's shown that they're all wearing pretty much the exact same outfit, suggesting that it's meant to be a uniform and hinting that they're watching this at their work place, they also all have plain, simple hair, all cut short and plain colors. It also shows a variety of different types of people, women and men, old and young.


8

The eighth frame is back to the TV screen, the voice has returned and is growing more and more intense as it goes on, the clip shown in the background growing more violent, showing a burning house, a crashing plane, soldiers fighting, it lets me know that this dystopia country seems to be at war with somebody though it is not made clear, from what is gathered by the clip it could possibly be Nazism.

 

9
The ninth and final frame returns to the crowd, who seem to be growing more and more restless as the clip goes on, they begin throwing their arms up into an O-shape (possibly referencing the name of the superstate they are part of, Oceania). Which shows that many people are very loyal to the state, or simply fear the punishment of not being loyal.







Inspirations for my main task



  • The premise of my main task itself is heavily influenced by this movie, as our own movie is about a 'big brother' figure watching the lead character as he goes about his daily life, and the opening that we are filming is meant to put across that he desires freedom from his totalitarian rulers. (we actually take this premise a step further than this movie does. In our main task the government is completely controlling the citizens, telling them what to do at every waking minute, whilst Nineteen Eighty-four does give them some freedoms.)

  • The TV screen that can be seen in frame two is also a large inspiration for our movie, as we intend on using a TV ourselves as a means of the Big Brother figure giving orders to our lead, though it is a simply one on one thing, rather than a huge crowd like in Nineteen Eighty-four's opening.

Sunday, 7 December 2014

Brazil - 9 Frame Analysis (Connor Mitchell) (Research into similar products)

Brazil - Nine frame analysis
Connor Mitchell

Frame One | The first shot of the film is an opening title, displaying the producer (Arnon Milchan) and the director (Terry Gilliam). The shot is in total silence; this sets the pace for the film, rather slow, taking it's time to tell the story. The font is white and futuristically styled with a slight glow on top of a black background, this is a good reflection of the films rather gritty, dystopian vision. 

Frame Two | The second shot shows the time (8:49.pm.) digitally again on a black background but this time the writing is blue. The shot then changes to a black background with the words in blue; 'Somewhere in the 20th century'. These shots and graphics are used to display the time at the start of the film, setting the stage for the film to begin. 

Frame Three |  A sound bridge is created from the previous shot to this, the sound of a television channel connecting joining the two shots with slight big of CGI connecting the graphic 'Somewhere...' to the television with a television static line connecting the two. The television make and design really sets the time the movie is set in. The television begins to play an advertisement with an older man in a small undisclosed room talking about ducts. The second I heard the "Hi there, I want to talk to you about ducts, do your ducts seem old fashioned?" I felt the time the movie was set in and the country, the very well pronounced English, the soft music in the background, felt very 40's/50's England and rather Python. I like the way the  movie starts as it seems to begin rather ominously,it opens with an advertisement for ducts. Audiences will enjoy this as it gives this sense of mystery, 'where is the movie going?', 'Why am I being shown this?', this slow opening keeps the audience calm and waiting until the surprise later in the opening. An enigma here also is; where is this television?

Frame Four | The enigma is quickly answered as the camera pulls out, revealing this is actually one of many televisions on display in a shop window. Most audience members probably would have believed the television would be in the main characters house, but this swipes away that notion and creates this mood, slowly setting you into the style of the film, the bureaucratic look on a dystopia. So from the very outset, the film shows where it is pointing its gaze on the future, in the business.

Frame Five | The slow, quiet pacing of the opening is interrupted by a very loud and abrupt explosion. This sudden change of tone allows the movie to feel open, showing it can be very mild and slow and very loud and vibrant. The explosion then also becomes an enigma, 'why is there an explosion?', particularly in an electronics shop. As an audience member I remember this scene surprised me and had me hooked onto the story, I wanted to know why this was happening, why was the shop important, I was keen to see the film's progression.

Frame Six | The next shot is of the title in bright pinks, reds and oranges, in a very curly font. The title is styled just like a neon sign, again an artistic piece of design to set you in for the tone and the time of the story. The music here is very loud and intense high pitched saxophones, giving the word 'Brazil' very negative connotations, as it doesn't seem pleasant in the slightest if the introductory music itself is rather frightening.

Frame Seven | In the next shot the camera pulls back in onto the rubble of the explosion that happened in Shot Five. The television is still there on it's side and slightly damaged. The camera literally has to rotate 90 degrees, creating the canted angle and immediately demonstrating a point of the movie, that this future isn't right, there is something wrong. Even though it isn't apparent yet, the tone is still created. There are two people discussing terrorist bombings on the screen, using slight irony to show the film has a sense of humour but it isn't light or conventional. The camera pulls in closer and closer as the two discuss why people do these bombings. When I first saw this I slightly chuckled as it is rather funny, but not enough to pull me out of the drama of the film, and I think that was the director's intent.

Frame Eight | The shot changes from a previous shot in rubble to the same television show but on a fully functional television in a different location, using the television to bridge the gap between these two shots. There is an enigma created here, 'Where is this televison?', the director keeps you interested as he uses two synchronized things happening on screen. It allows you to still listen to the dialogue of the television as the camera slowly pulls out away from the television. Keeping you interested and informing you on two things at the same time. 

Frame Nine | The camera pulls out showing a full office, with a balding, smart looking man sitting at his desk. He is dressed in the white lab coat and a suit underneath and given glasses (usually in films, glasses have the connotations of meaning that the wearer is smart. The walls are a faded white and the desk is black, this gives the room this very cold and stale feeling. The camera pulls out showing these strange typewriter-like machines moving mechanically, but what they're doing is totally unknown to the audience, creating an enigma.

Friday, 5 December 2014

Location Shots

Location Shots



The premise of the movie as a whole demands a very minimalist theme, and thanks to the simple white colors of the bedroom we chose this room as the main set. The only location in the movie that will be used is Connors bedroom, and open field later in the movie, this means the only location needed will most likely be Connors room. Due to this their are not many location shots necessary. 


  • Pictures by : Connor Mitchell
  • Text by : Kieran Owens

Risk Assessment

Risk Assessment

When assessing the risks, one has to take in the various small dangers present, such as tripping on objects around our small main set (Connors bedroom). To get past this we’ve gone for a very minimalist look for our sets, allowing us to move around despite the small cramped space used for the majority of filming, allowing us to get the best shots we can and without risk of anything getting in the way. This will also fit in with the overall theme presented by the movie, which is minimalist and plain.

Written by Connor Mitchell                                                                                    

Equipment List

Equipment list

Due to the minimalist nature of our movie, which keeps the budget at around £5 without having to sacrifice anything from our movie, we need very little equipment that we don’t already have. The equipmwent used for filming will be;
  • ·         A camera, which we can borrow from our teacher for free, whilst not the highest quality camera this could actually be used to our advantage, as it gives the movie not only a more gritty realistic look, but could also be used to help get across that the audience is actually watching from the view of a camera like the ‘big brother’ type entity that is watching him.
  • ·         White sheets to be used for a shot found in the movie to help put forward that the dream sequence had begun.
  • ·         Tripod so that our shots will be nice and steady.
  • ·         Television to be used for plot points, as messages to the lead character will be relayed through the TV, giving a feeling that he’s being watched constantly, as even something he watches is watching him back.
  • ·         Bowl of cereal for the lead to eat.
Written by Kieran Owens

Action Plan

What needs to be done?
Who’s going to do it?
When will it be started?
When will it be done?
Is it done?
Has it been uploaded?
Initial Ideas
Connor & Kieran
2nd
November
2nd
November
Yes
Yes
Pitch
Connor & Kieran
3rd
November
5th
November
Yes
Yes
Pitch Feedback
Kieran
6th
November
6th
November
Yes
No
Storyboard Animatic
Connor
29th November
5th
December
Yes
Yes
Storyboard Feedback
Kieran
5th
December
5th
December
No
No
Shot list
Connor
28th November
29th
November
Yes
Yes
Shot Schedule
Connor
29th November
29th
November
Yes
Yes
Script
Connor & Kieran
10th
November
15th
November
Yes
Yes
Equipment List
Kieran
10th November
11th
November
Yes
Yes
Costume, Props and Make-up.
Kieran & Connor
11th November
12th
November
Yes
Yes
Location Shots
Connor & Kieran
3rd
November
3rd
November
Yes
Yes
Call Sheet
Connor
27th November
29th
November
No
No
Budget
N/A
N/A
N/A
N/A
N/A
Risk Assessment
Kieran
5th
November
6th
November
Yes
Yes
Music / Sound Effects
Connor & Kieran
19th November
20th
November
Yes
Yes

Made by Kieran Owens